The Hedgehog Poetry Press

I am so verily chuffed to say that Pre-orders are NOW OPEN, which means that Caroline Gill’s gorgeous wee collection, Polar Corona can be Signed and yours in time for Christmas if you get in touch with Caroline today :)

Here is all that you need to know..

Order Signed Copies Direct From Caroline Gill by contacting her via her website HERE

Polar Corona by Caroline Gill is a prize-winning crown of seven interlinked sonnets about Antarctic exploration and penguins. While some of Caroline’s sonnet patterns differ from those in John Donne’s prized sonnet crown, La Corona, the earlier poet’s influence is reflected in the general approach to form. Caroline’s first full collection, Driftwood by Starlight (The Seventh Quarry Press, 2021), explored themes relating to the fragility of the natural world. These issues are further represented here. Polar Corona began to take shape after a course-cum-residency in 2014 with the Poetry School (London) and the Scott Polar Research Institute and Polar Museum (University of Cambridge).

“Caroline Gill has produced a beautifully crafted cycle of poems, in which the final line of each one is taken up by the next until the final poem brings us back to where we began, in a perfect round. These poems bring the Antarctic to life, a vast world of ice and snow, a world of astonishing loveliness, illuminated by the stars, and at the same time a world in which human beings and creatures such as penguins live out a perilous existence. To most of us, sitting by our fires, this is a world that we will never experience; and yet in these steady lines and brilliant images, we can come closer to the wonder of creation, and marvel at the endurance of hardship, and the fascination with a world that causes people to live and die in these inhospitable places. To read these poems is to be confronted with a terrifying beauty, and with courage in its purest form.”

– Professor J. R. Watson, University of Durham

“In Polar Corona, Caroline Gill offers a vivid and precise depiction of Antarctica’s landscape and wildlife, especially the seasonal rhythms of penguins’ lives, interwoven with a poignant exploration of human fortitude in this most testing of environments. Her marvellous ear for the music of a poem is evident throughout and the intricate pattern of mostly half rhymes cleverly accentuates the pervading sense of risk and unpredictability. This is an assured and compelling sequence of sonnets with Gill’s characteristic mastery of traditional forms on glorious display.”

– Susan Richardson Author of Where the Seals Sing (William Collins, 2022) and Words the Turtle Taught Me (Cinnamon Press, 2018), shortlisted for the Ted Hughes Award

“When we introduce people to objects, artworks and archives in our polar collections, they are transported to a time and place far removed from our museum in Cambridge. In Caroline Gill’s evocative Polar Corona, she closes the distance and brings the ‘heroic age’ of polar exploration to life. Her words open a window in our imaginations directly onto Antarctica’s remote sights and sounds.”

– Dr Charlotte Connelly Former Museum Curator, The Polar Museum, Scott Polar Research Institute, University of Cambridge

About Caroline Gill

Caroline Gill, who currently lives in Suffolk, grew up in London, Kent and Norfolk, before moving with David, her archaeologist husband, to Rome, Newcastle upon Tyne, Cambridge and Swansea. Caroline graduated in Classical Studies from Newcastle University in 1982 and gained a PGCE from the University of Exeter, followed by a TEFL Certificate from the Bell School of Languages in Norwich. Caroline has worked as a teacher, an EFL tutor, and a Cataloguing Assistant in the Churchill Archives Centre in Churchill College, Cambridge.

Caroline’s poems have been published widely in British and international journals and anthologies. Three sample poems were included in The Book of Forms: A Handbook of Poetics Including Odd and Invented Forms by Lewis Putnam Turco (4th edition, UPNE, 2012). Prizes include: – First Prize, General Section of the International Petra Kenney Poetry Competition (2007), judged by John Whitworth, Michael Schmidt, Alison Chisholm and Morgan Kenney. – Third Prize, Haddon Library ‘Cambridge University 800’ Poetry Competition (2009). – Overall First Prize, ZSL ‘Conservation’ Poetry Competition (2014). – Third Prize, Milestones Competition (2017), judged by Brian Patten.

Previous Publications Driftwood by Starlight (The Seventh Quarry Press, 2021), a first full collection. The Holy Place (The Seventh Quarry Press, published in conjunction with Cross-Cultural Communications, New York, 2012), a Poet to Poet chapbook shared with John Dotson.

Product details