HAPPY LAUNCH DAY: “Polar Corona” – Caroline Gill

I am so pleased to say HAPPY LAUNCH DAY to the wonderful Caroline Gill on this her wee book’s birthday.

And you can get yourself a Signed First Edition, First Print Run copy direct from the lady herself…

Order Signed Copies Direct From Caroline Gill by contacting her via her website HERE


Polar Corona by Caroline Gill is a prize-winning crown of seven interlinked sonnets about Antarctic exploration and penguins. While some of Caroline’s sonnet patterns differ from those in John Donne’s prized sonnet crown, La Corona, the earlier poet’s influence is reflected in the general approach to form. Caroline’s first full collection, Driftwood by Starlight (The Seventh Quarry Press, 2021), explored themes relating to the fragility of the natural world. These issues are further represented here. Polar Corona began to take shape after a course-cum-residency in 2014 with the Poetry School (London) and the Scott Polar Research Institute and Polar Museum (University of Cambridge).

“Caroline Gill has produced a beautifully crafted cycle of poems, in which the final line of each one is taken up by the next until the final poem brings us back to where we began, in a perfect round. These poems bring the Antarctic to life, a vast world of ice and snow, a world of astonishing loveliness, illuminated by the stars, and at the same time a world in which human beings and creatures such as penguins live out a perilous existence. To most of us, sitting by our fires, this is a world that we will never experience; and yet in these steady lines and brilliant images, we can come closer to the wonder of creation, and marvel at the endurance of hardship, and the fascination with a world that causes people to live and die in these inhospitable places. To read these poems is to be confronted with a terrifying beauty, and with courage in its purest form.”

– Professor J. R. Watson, University of Durham

“In Polar Corona, Caroline Gill offers a vivid and precise depiction of Antarctica’s landscape and wildlife, especially the seasonal rhythms of penguins’ lives, interwoven with a poignant exploration of human fortitude in this most testing of environments. Her marvellous ear for the music of a poem is evident throughout and the intricate pattern of mostly half rhymes cleverly accentuates the pervading sense of risk and unpredictability. This is an assured and compelling sequence of sonnets with Gill’s characteristic mastery of traditional forms on glorious display.”

– Susan Richardson Author of Where the Seals Sing (William Collins, 2022) and Words the Turtle Taught Me (Cinnamon Press, 2018), shortlisted for the Ted Hughes Award

“When we introduce people to objects, artworks and archives in our polar collections, they are transported to a time and place far removed from our museum in Cambridge. In Caroline Gill’s evocative Polar Corona, she closes the distance and brings the ‘heroic age’ of polar exploration to life. Her words open a window in our imaginations directly onto Antarctica’s remote sights and sounds.”

– Dr Charlotte Connelly Former Museum Curator, The Polar Museum, Scott Polar Research Institute, University of Cambridge


About Caroline Gill

Caroline Gill, who currently lives in Suffolk, grew up in London, Kent and Norfolk, before moving with David, her archaeologist husband, to Rome, Newcastle upon Tyne, Cambridge and Swansea. Caroline graduated in Classical Studies from Newcastle University in 1982 and gained a PGCE from the University of Exeter, followed by a TEFL Certificate from the Bell School of Languages in Norwich. Caroline has worked as a teacher, an EFL tutor, and a Cataloguing Assistant in the Churchill Archives Centre in Churchill College, Cambridge.

Caroline’s poems have been published widely in British and international journals and anthologies. Three sample poems were included in The Book of Forms: A Handbook of Poetics Including Odd and Invented Forms by Lewis Putnam Turco (4th edition, UPNE, 2012). Prizes include: – First Prize, General Section of the International Petra Kenney Poetry Competition (2007), judged by John Whitworth, Michael Schmidt, Alison Chisholm and Morgan Kenney. – Third Prize, Haddon Library ‘Cambridge University 800’ Poetry Competition (2009). – Overall First Prize, ZSL ‘Conservation’ Poetry Competition (2014). – Third Prize, Milestones Competition (2017), judged by Brian Patten.

Previous Publications Driftwood by Starlight (The Seventh Quarry Press, 2021), a first full collection. The Holy Place (The Seventh Quarry Press, published in conjunction with Cross-Cultural Communications, New York, 2012), a Poet to Poet chapbook shared with John Dotson.

Order Signed Copies Direct From Caroline Gill by contacting her via her website HERE


Product details

  • Paperback : 20 pages
  • ISBN-13 : 978-1-916830-26-4
  • Product dimensions : 14.81 x 0.43 x 21.01 cm
  • Official Release Date: 18th December 2025
  • Order Signed Copies Direct From Caroline Gill by contacting her via her website HERE

 

COVER REVEAL: ‘A Heart- Squeeze of Beginnings and Endings’ by Jenna Plewes

I must admit one of the rare pleasures of the whole Hedgehog ‘thing’ for me, has been able to work with the rather wonderful Jenna Plewes on a few of her collections. She is somebody who I had long admired and it has been a proper treat.

For me, anyway.

Her, less so, I’m sure.

Needless to say, her forthcoming collection is pure unadulterated quality, and probably one of my proudest moments.

Today we have the cover – soon the Pre-orders will open and you really should make sure you get yourself a copy.

Instant classic.


Needless to say that every book fettled requires a soundtrack, and for Jenna I wanted something that has always stayed with me, since I watched them years ago in a small club in London.

I don’t think Cousteau are around these days, but they will forever be special. Check them out, m’dearios. Thank me later.

PRE-ORDERS ARE OPEN: ‘What Love Is’ by Kerry Darbishire

Well, what can I say apart from that I am scarily chuffed to be able to announce that PRE-ORDERS ARE OPEN BABY for the latest collection from one of the finest poets I have had the pleasure to read – Kerry Darbishire’s What Love Is.

Officially released on St. Valentine’s Day, this is something special and as ever, Signed First Run, First Edition copies are only available direct from Kerry.

So don’t delay, Pre-order Today.

Huzzah.

Order Signed Copies Direct From Kerry Darbishire HERE


“I very much enjoyed reading this pamphlet. What Love Is is a set of poems written with such a lyrical beautiful sense of overwhelming love for people, for nature and for place. The poems keep hold of, and revel in, the lush magic and richness of words: of their harmony – each of the phrases are inbuilt with pleasurable sighs, with heart-full notions of wish and prayer. The poems are abundant with grounding with an affinity for the soil, with a naming which connects us to the poet’s landscape –

indeed many of the namings seem fragrant and charms-like to utter. These poems offer us a wonderful sense of belonging to both place and memory – have an air of renewal and restoration, of a spiritual relationship with like and land. Darbishire has offered us a skilled sensoryscape of gently uttered power. It has been a pleasure to immerse myself in the poet’s calm, evocative, aching and dreamlike imagery.”

Jane Burn

“It’s the question that poets have been trying to answer for centuries, the nature of that all-consuming emotion that renders ‘I love you’ inadequate. Putting it into words can be hard My mouth, writes Kerry, refused to find the right shape. These are poems reflecting on the nature of love – its passion and its cruelty, how it shapes our lives and our relationships with friends, parents, siblings, children and partners. The poems show, in vivid images, the deep connections we make, demonstrating our feelings in the everyday, ordinary things we do together. The natural world becomes the landscape of a relationship; the paths we walk with those we love, the rooms we inhabit, the objects we own, invested with the lustre of memory – images more powerful than words. A lifetime of caring for each other make ‘I love you’ somehow inadequate. Kerry has written lines you’ll remember long after you’ve read the poems.”

Kathleen Jones

“Kerry Darbishire’s new pamphlet What Love Is contains a collection of poems of exquisite depth and beauty that explore love in all its forms. Born and raised in Cumbria, the deep connection with landscape and its people spills out from every page and pours itself down the fell like honey on bread. The deliciousness of language and the mastery of phrasing and pace in the poems show a poet at the height of their ability. The poems reach to the depths of what it is to love and be loved and really are like a gift of bluebells spread like a wide fallen sky.”

Ilse Pedler

Order Signed Copies Direct From Kerry Darbishire HERE


About Kerry Darbishire

Kerry Darbishire was raised in Cumbria on the banks of the River Brathay, and continues to live in a remote area near Kendal with her artist husband Stephen. Their life together and beauty of these landscapes inspire her writing. She has won and been placed in many competitions including Bridport, Mslexia, Rialto, and published widely in anthologies and magazines. Publications include: a biography: Kay’s Ark, the story of her mother; three poetry collections, two pamphlets, one of which was Glory Days, a collaboration with Kelly Davies. Her third, River Talk was published by Hedgehog Press 2024 and was winner of the Wordsworth Prize for literature and Poetry, Lakeland Book of the Year Awards 2025.

X @kerrydarbishire

Bluesky: @kerrydarbishire.bsky.social

Email: kerrydarbishire@gmail.com

Website: www.darbishirearts.co.uk

Order Signed Copies Direct From Kerry Darbishire HERE


Product details

  • Paperback : 48 pages
  • ISBN-13 : 978-1-916830-58-5
  • Product dimensions : 14.81 x 0.43 x 21.01 cm
  • Official Release Date: 14th February 2026
  • Order Signed Copies Direct From Kerry Darbishire HERE

PRE-ORDERS ARE OPEN: “Urban Fledgling” by Annie Cowell

I am so very proud and chuffed and proudly chuffed to be able to say that you can now Pre-order your very own copy of Annie Cowell’s debut collection, Urban Fledgling.

Due to be released in January – Signed, First Run, First Edition copies are ONLY available direct from Annie, who you can contact to get yourself a copy over on Twitter/X HERE

Don’t dawdle, they won’t last forever.


The poems in ‘Urban Fledgling’ are rooted in the transition from a gentle life in the Mediterranean to being catapulted back to the challenges of living in the metropolis. They explore the processes by which we change and adapt to the new, fluttering between memories, dreams and realities. Each poem captures a moment of our everyday, moments which shape

Order Signed Copies Direct From Annie Cowell HERE


“A gorgeous collection that is so specific in location, landscape, flora and fauna, it trans-cends place and space to become beautifully universal in experience. A collection to read and reread, to salivate over and savour.”

Costantia Manoli – award-winning author of Tomatoes in my Lunchbox

“Annie Cowell is a poet who writes with her heart, seeing beauty and possibility in every-thing. In ‘Urban Fledgling’, she brings her compassion for the ordinary things of the city – ‘pigeons fussing over damp bread’, ‘rats who lurk in the undergrowth’, a crying man in a cafe – that other writers may not even notice, let along consider worthy of inclusion in their poetry, and illuminates them with her gorgeous language. The thing I most love about Cowell’s work is its accessibility, but this does not make the poems any less lyrical or moving. Cowell is a rare talent and this a collection to be treasured.”

Sam Szanto Pushcart nominated poet and author.


About Annie Cowell

Annie Cowell is a poet and former teacher who lives with her husband and rescue dogs near London. She is a BOTN nominee, whose work has appeared in numerous publications. In 2022 her award winning debut pamphlet ‘Birth Mote(s)’ was published. The following year, ‘Splashing Pink’, a poetic conversation was published by Hedgehog Press. ‘Urban Fledgling’ is her first full collection.

Order Signed Copies Direct From Annie Cowell HERE


Product details

  • Paperback : 36 pages
  • ISBN-13 : 978-1-916830-59-2
  • Product dimensions : 14.81 x 0.43 x 21.01 cm
  • Official Release Date: 16th January 2026
  • Order Signed Copies Direct From Annie Cowell HERE

COVER REVEAL: ‘What Love Is’ by Kerry Darbishire

Well, another brilliant collection on the horizon is from one of my favourite ever poets, the  awesome Kerry Darbishire, who has created what I think is very much her finest work to date. Which frankly is going some.

Today, I can only share the beautiful cover based upon a Stephen Darbishire painting, which naturally captures the mood perfectly.

The book is due for release in January, with pre-orders opening a bit sooner than that. Don’t miss this one. Treasure isn’t always buried, but it does have a habit of disappearing unless you are quicksmart.


Needless to say that every book fettled requires a soundtrack, and I went back to a favourite – the rather brilliant Beth Orton

COVER REVEAL: “Urban Fledgling” by Annie Cowell

Well,  I am really excited to be able to talk about this brilliant wee collection from Annie Cowell, as ever since she shared a poetry conversation with the equally rather brilliant Sam Szanto, I have been a Hoggy desperado who very much would like to read more.

Anyway, today I can only share the cover – and mighty fine it is too – but it will be no time at all before you can get a copy for yourself, so be ready.

It will hit the shelves in January, but with a fair wind you should be able to get your pre-order in sooner than that and who knows, it might rock up at your door in the soonerest.

In summary, Yay!


Needless to say that all of this fettling had a soundtrack, and today it was the rather wonderful Horsegirl, see what you think

AND THE WINNER IS … “A Proper Poetry Pamphlet Competition #08″

Well, this is starting to feel a bit on the real side of OM & G, but I’m pleased to say that our Final Proper Poetry Collection Competition was of as high a standard as any that we have run before, and right to the end it is proving proper tricky to come to conclusions.

But we have to have a shortlist and then a winner, and before I start blarting, they are:

    1. Margaret Royall
    2. Dan Lupton
    3. Emeline Winston (Highly Commended)
    4. Miriam Otto
    5. Isabel Miles
    6. Celia Jenkins
    7. Ruth Gilbert
    8. Jude Rosen
    9. David Punter
    10. Mandy Willis & Fanny Bara (Commended)

However, there can only be one winner, and I am please to say it is the rather wonderful:

Isabel Miles

for her collection

“Making Jam”

So many congratulations to our winner, and to all of those Shortlisted and Commended.

 

Feeling Real, Baby.

Well, we’re getting into the end of year bobbins and I have to say that the Death of the Hedgehog ™ is starting to feel a lot more real than it did a couple of months ago. (Gulp!)

There is literally just the Final Crimson Spine Competition left that will need to be judged, the Final Cult boxes will be on their way next weekend and then a manic few months that will see a lot of pamfies and books shared with the world.

In a lot of ways it is quite exciting, not least because circumstances have meant that I’ve pretty much spent the last five years trying to ‘catch-up’ and hopefully I finally will.

A fair few people have wondered what comes next for me post Hog, and in truth I really don’t know. Maybe read a book for fun, it has been a while.

Pocket Broadsheet-a-go-go – Pamfies arriving from the printer day

Blimey – it is always weird when you come up with an idea, and then it turns into a reality and arrives in a brown cardy box, but I have to say that our first – and maybe only, given the on-going hogicide – is a wee stunner.

A really simple idea – a foldy origami bit of paper that turns into a pocket wonderfilled with stunning poetry, and in this case it is the amaziballs poet lady Katrina Moinet that is turning it into something truly special.

Don’t forget – you can only get one of these direct from the lady herself…

Find out all about it HERE

 

Can I just say…

Can I just say, and excuse the frothyness of the comment, but I love Margaret Royall’s poetry.

We’ve just (finally, finally) finished pulling together her new collection and sent it off to print, and it reminds me how much I love reading her work. I think this is the third collection we’ve done (I should check, but it involves energy ;o) and she constantly astonishes me with just how good she is.

Anyway, that was all.

You should just say these things, shouldn’t you?


By the way, the book is out in January, and today whilst I’ve been doing things poetic, I have been having a fine old time listening to the brilliant Last Dinner Party, all over again,