I’m proud, pleased and generally somewhat stunned to be able to announce that I actually remembered to post our Pushcart Nominations and that I can share them with you here.
So with no further ado, I’m pleased to say that after much wading through books and pamphlets, a group of Poetry Loving Pensioners today chose our nominations as being:
Karen Dennison The Paper House
Kristin Garth Expensive Leotards
Melissa Fu Update
Nigel Kent Miscarried
Oz Hardwick Be Your Own Personal Jesus
Raine Geoghegan The Guveny – a haibun
To see whether you agree with Marjorie, Edna, Sarah, Patricia, Henna and Lou, I am doubly chuffed to say that you can download for FREE all of the poems in an especially chucked together Stickleback – ‘Free – The Pushcart Six.’
I’m more than chuffed to be able to unveil the rather beautiful cover of ‘The Garden/er’ our forthcoming collection from Annie Maclean.
Annie is a wonderful poet and I really can’t wait to share this with you all in the near future.
About The Garden/er:
“The Garden/er is a long poem which contains a sequence of elegies. It follows a year in a garden, month by month, examining flora and fauna, and listening to the author’s experiences and reactions to her father’s death. Anger and bewilderment and loss give way to an appreciation of the rhythms of the natural world.”
Since passing my ‘three score years’ of age, I now follow the hopes of Katsushita Hokusai who commented:
‘… at 73 years I partly understood the structure of animals, birds, insects and fishes and the life of grasses and plants. And so at 86 I shall progress further; at 90 I shall even further penetrate their secret meaning and by 100 I shall perhaps truly have reached the level of the marvellous and the divine. When I am 110, each dot, each line, will possess a life of its own.’
[Calza, Gian Carlo (2004) ‘Hokusai: A Universe’ in HOKUSAI, p.7 Phaidon Press]
I have recently been awakened by Extinction Rebellion. We have 11 years to address the climate emergency on our planet. Today is 2019. 2031 will be too late.
Well, I keep saying that I like nothing better than people having the opportunity to buy signed or annotated copies of our books direct from the poet and I am really, really pleased to be able to say that you can now pre-order one that is particularly special.
‘Anatomy of a Dress’ is a stunning collection of work from Juliette van der Molen, and you can now pre-order your own copy of the first print run, of the first edition, direct from the lady herself.
There is no better way to support authors who’s work you enjoy, so please do consider supporting Juliette in this way if you can.
The collection won’t officially be available until December 16th, but Juliette will receive copies ahead of that and no doubt would love to sign, dedicate or annotate a copy for you.
These are now available to pre-order direct from Juliette at her web site HERE.
Juliette van der Molen is a transatlantic writer and poet currently living in the Greater NYC area. She is an intersectional feminist and member of the LGBTQIA community. She is the poetry editor for Mookychick Magazine and a seasoned spoken word performer. She has performed in several places including New York City and Philadelphia.
Her books include: Death Library: The Exquisite Corpse Collection and Mother, May I?. Her work has also appeared in Burning House Press, Kissing Dynamite, Memoir Mixtapes, Collective Unrest and several other publications. Her next book, Anatomy of A Dress, will publish in December 2019 through The Hedgehog Poetry Press..
You can connect with her on Twitter via @j_vandermolen.
Title: Anatomy of a Dress
Order Signed Copies direct from Juliette van der Molen HERE
These poems deal with the messages sent and interpreted by the way women have historically been encouraged to dress and keep themselves, mainly for the pleasure and the subjugation of the patriarchy. Folded into these pieces are my own experiences that have caused me much internal conflict when I choose my own clothing. Sometimes these encouragements or rules were handed down by those of our own gender (i.e. grandmothers, mothers) and reinforced by a society that has a vested interest in women knowing their place. The poetry in this manuscript is crafted to speak loudly of the struggles that women go through, both physical and emotional, when making a decision that most men would consider simple–
I can’t quite believe that it is a year since we launched Raine Geoghegan’s (and our!) first collection, ‘Apple Water : Povel Panni’ which continues to garner rave reviews.
‘Apple Water’ felt like something special right from the beginning and Raine’s mix of Romani dialect and family tales has left listeners spellbound across the country wherever she has performed it.
Needless to say, when we talked to the lady about a new collection that sits alongside it, there was never a question that we would like to publish it and I am more than proud that we will be doing just that later this year.
‘lenti hatch o yog’ which translates as ‘they lit fires’ is a beautiful collection of monologues, haibun and songs.
Of course it isn’t just the words that have beauty, the cover – front and back – are based on artwork created by artist Christine Ford, a Romany artist from Pukerua Bay in New Zealand.
Like ‘Apple Water,’ ‘they lit fires’ also features a couple of Raine’s family photos which add to the atmosphere of the collection perfectly.
The collection won’t officially be available until later this year, but I am happy to be able to tell you that Raine has a number of the first print run of the first edition that she has today made available for sale from her web site and would no doubt love to sign and dedicate for you.
These are now available to order direct from Raine at her web site HERE.
I keep saying that we are big believers in people buying their poetry direct from the poet as it is the best way to support their on-going work and I really hope that you agree.
It may well be a busy competition day today, but I couldn’t let the moment pass without marking the fact that it is indeed the day that Nigel Kent’s ‘Saudade’ and Melissa Fu’s ‘Falling Outside Eden’ are officially published today.
As ever we are more than keen to get you to support our poets by buying copies directly from them, so we are making a quite superb offer.
If you buy a signed copy of one of the titles today or tomorrow – 14th/15th of October 2019 of either:
a. ‘Falling Outside Eden’ direct from Melissa HERE, or
I was going to make a wee list of what we are publishing next year, but I thought that I’d lay it out along with where I am coming from with it all instead – so don’t feel bad if it is far too boring to read, I just wanted to leave it for anybody with a passing interest over the coming months to trip over.
But where to start?
I have to admit that 2019 hasn’t exactly gone to plan and that despite all appearances, there really was one, which only makes it the more annoying.
I won’t bore you with the details, but I’m pleased to be able to say that all is getting back on track and with a ‘Herculean’ final push we should end the year with quite the ‘wow’ of a list of publications and some brilliant poets blinking in the daylight.
Not quite as many or when they were intended, but there we are.
It is poetry, not the end of the world.
So it wasn’t the best of years, but we will still (hopefully) have published:
21 single-poet-collections, (6 books and 15 chapbooks),
3 of our poetry Conversations and
Not too shabby for a two year old press, if not quite chic.
Looking forward to next year (and yes, I am getting ahead of myself here,) I think we can improve on that a fair bit and alongside the poetry, for the first time we are going to have a wee dabble with a touch of prose and so 2020 looks something like this:
Poetry Collections – Books:
The plan at the moment is that we will publish Four Single Poet Collections in book form during 2020, although I have hopes that like this year we will be able to add at least a couple more to the tally.
Ideally, I’d like to double the number, but we cut our cloth.
Poetry Collections – Chapbooks:
My idea for our poetry pamphlets is that we will be aiming to publish two each calendar month, so (err, not enough fingers and toes…) twenty-four in total.
Again, I would like to improve on that, but we will see how it goes.
I won’t list them all, but as we stand 14 of those ‘places’ are accounted for and I want to carry on with these being an even split between first collections and those of the more experienced poet chap(ess.)
I’m a big fan of collaborations and shared pamphlets, so I want us to carry on with the Tree Poets and Conversation series. Two of each seems about right in 2020.
Who doesn’t love a good anthology? We have a couple outstanding, so I see these dropping on an ad-hoc basis as the year progresses. Probably four over the year.
The Sticklebacks were the biggest casualty this year and I really want us to ‘re-launch’ them next year in January.
More on that soon, but in simple terms I’d like to get to the point where we are publishing 2 of the wee blighters each month – so 24 in total in 2020.
All of which is nothing new, more a case of getting back on track, but one thing I do want us to do in 2020 is dabble a wee bit in prose.
I’m sure we can handle it and that it isn’t the ritual de lo habitual. *sniff*
More details on this in the coming weeks but I see this splitting into:
Novellas: I’d like us to publish one or two novellas each year going forward as they are a great form and in terms of literary fiction or a more poetic prose, I think they have their place, and
Guppies: Running alongside the Sticklebacks, I thought it would be good to introduce our Guppies.
These will be single short stories, beautifully published in pamphlet/PDF download formats.
Again more details to follow.
And that is about it and congratulations if you got to the end.
I realise it is a wee bit of a navel gaze, but it never hurts to set your stall out and like most things in life, telling people means that you can’t just forget about it all and get lazy instead…
Of course the big thing I haven’t mentioned is our Cult. Everything that happens at Hedgehog is because of our brilliant Cult members who pay their membership fees and give us a basis to work from.
I’m really proud that we don’t have any funding from anybody else as it means that there is a freedom to publish as many people as we can and I hope have poets that earn a lot more from their writing than most.
I love the fact that the Cult members get to enter all of the competitions for ‘Free’ and that they will receive every single book and chapbook we publish, it is the coolest thing. It feels like a proper community now, it is the bestest of it all.
The Cult will continue to be limited to 100 members during 2020 as after all it is quite the deal
I’m really proud to say that following on from her rather wonderful Stickleback last year, the 14th of October sees us publishing Melissa Fu’s collection ‘Falling Outside Eden’ which is already gathering more than its fair share of admiring glances.
As ever, to celebrate the launch we have produced a rather lovely ‘Deluxe’ edition, with coloured end-papers and everything else and I’m happy to say that you may now pre-order a copy direct from Melissa herself, who I’m sure will be more than happy to sign and dedicate it to taste.
Unless you are a member of our ‘Cult’, this is the only way you can get a copy of the Deluxe edition and certainly Melissa is the only one who can sign it for you!
As you no doubt know, we’re big believers in people supporting poets and the best way to do this is to buy their work direct from the ‘the source’ and here is the perfect opportunity.
To buy your signed copy of the First Run of the First Edition direct from Melissa, go HERE
To find out more about it, you can now see Melissa’s author page on our web site THERE
If you have a deep and abiding love of massive non-tax paying faceless companies, you can of course buy the Standard Edition from Amazon, but let’s face it, why would you?
Have a lovely day, and be quick, when the First edition is gone, it is, well, gone.
This Autumn is turning into something a wee bit special here in Hedgehogland and I am more than extremely chuffed to be able to report that following on from her awesome debut collection ‘Lumiere’, we will be publishing Sue Burge’s ‘The Saltwater Diaries.’
Needless to say it is many kinds of brilliant and it will be available to pre-order in the nearest of futures.
Now that we have made it to October, I’m loving the fact that I can start to gather all of the collections together that will be in the Cult’s ‘Goody Box,’ * especially as this is the first time we have really got to the stage where Hedgehog is publishing the number of collections I’ve been trying to build towards.
I keep saying that whilst we will be publishing a lot of pamphlets, paperback books will be few and well spaced, and so I’m really pleased to say that this time Peter Francis Pegnall is the chap in the spotlight with his rather wonderful ‘Dearest Lord, When Will I Die?’ This is a brilliant collection and I am made up that we are able to bring it to you all.
Peter’s Stickleback will also be available on Friday as our Free Download to, so do check that out.
‘Goody Box’ – Members of our Cult of the Spiny Hog don’t just get to enter all of our competitions as many times as they like, they also have a members-only Challenge each month too. It doesn’t end there though, as once a quarter they receive a beautifully packaged box filled with every book, pamphlets, single-poet-collection, Stickleback and anthology we have published. The aim for Hedgehog has always been to publish at least six collections each quarter and whilst it has taken a lot of work to get there, this the 6th Cult, is the first time we have got there. In fact, we look be be exceeding that – the full list will be out in the next few days.
One of the great things about running a wee poetry press is that poetry comes to you rather than as a reader where you have to spend a lot of time looking for it. Better still, when it comes it can quite literally arrive from anywhere in the world and sometimes, just sometimes it is genius.
Don’t get me wrong, I know the limitations of a one-man-band poetry press and I’m not under any illusions that it is any different for anybody else, but sometimes you just sit down to read a collection by a voice you haven’t heard of before and it totally stuns you.
It was exactly like that the first time I read work from Michał Choiński and his (genuinely) slim volume Gifts Without Wrapping and I am so pleased that you will be able to share it in the near future.
When I started Hedgehog coming on two years ago I had this big idea that it would be a publisher of great, modern collections and this Autumn I think that we are finally getting there with a spectacular list. Michal is a perfect example of that.